Chartres and the Birth of the Cathedral
 

Titus Burckhardt; Translated by William Stoddart
Foreword by Keith Critchlow

Gologonooza (1995) ISBN 0903880652 cloth $45.00


136pp. ISBN 0903880660 paper $24.95
16 color and 16 monochrome plates

In the author's own words, "The purpose of the present work is to evoke as authentically as possible the spiritual climate in which the Gothic cathedral was born, and to do so by allowing contemporary witnesses to speak for themselves . . . to show how the Gothic cathedral was the final fruit to open on the tree of ancient tradition."

Chartres cathedral is perhaps the most beautiful and significant Christian artifact. Throughout the 800 years of its existence it has testified to many miracles and has lost none of its power to inspire wonder, reverence, and inspirational knowledge in those who encounter it beyond a superficial acquaintance.
Others have commented on the spiritual implications of the Romanesque and Gothic styles and Burckhardt usefully summarizes and elucidates their interpretation. But he further commands our respect by his rare ability to comment convincingly and enlighteningly on the differences of 'spiritual content' of pre-Romanesque, Romanesque, and Gothic architectural styles.

The author's description of the didactic themes incorporated in the great doorways and rose windows of Chartres covers virtually the whole of the Christian story, and amounts to a comprehensive theological and metaphysical presentation of Christian doctrine. This unique and valuable achievement opens a window onto the 'age of faith,' making it clear and intelligible to the modern reader.

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